tintype portrait by Alastair Cook
tintype portrait by Alastair Cook (click to enlarge)

I’m a writer, editor, and web publisher from the Appalachian Mountains of central Pennsylvania. Born the same year as the Miranda warning and the phrase “found poem” (1966), I’ve been exercising my rights to remain silent and to call anything a poem ever since. I aspire to be a good minor poet and a great reader. These days I guess I’m most widely known as the publisher of Moving Poems, a compendium of poetry videos from around the web.

I’ve been publishing my own material on the web since 2003, with occasional forays into print: most recently, Ice Mountain (Phoenicia Publishing, 2017). Phoenicia also brought out Odes to Tools, a small book of 25 poems that originally appeared at my literary blog Via Negativa. Other Via Negativa-derived collections include Breakdown: Banjo Poems from Seven Kitchens Press, part of their Keystone Chapbook series; a self-published chapbook of photos and poetry, Twelve Simple Songs; and a collection of cartoons, Words on the Street.

me in a tree
in an English oak

I keep a daily journal of prose-micropoems at The Morning Porch, and since January 1, 2013, I’ve been posting daily erasure poems based on the 17th-century Diary of Samuel Pepys to Via Negativa.

From 2006 to 2013, together with Beth Adams I published qarrtsiluni, an online literary magazine that pioneered the use of blog software and MP3 audio files to deliver themed issues in daily, multimedia increments.

I live in Plummer’s Hollow, Pennsylvania, part of the Juniata drainage, Chesapeake Bay watershed. I’m on the board of the Juniata Valley Audubon Society, based in Altoona, PA., despite the fact that I am not a real birdwatcher.

Personal Stuff

me as Ampelmann in Berlin
in Berlin

I was born in 1966. I recently married a British woman, so I spend half my time in central Pennsylvania and half the time in London. (Since she and I are both poor, I may never be able to qualify for more than a visitor visa to the UK.) I don’t write about myself very often (and please don’t assume a poem in the first person is autobiographical), not because I have anything to hide, but because I don’t interest me very much. But when I do write about personal or family stuff, it gets filed under Memoir at Via Negativa.

Family on the Web

My mother, Marcia Bonta, is a naturalist-writer, the author of nine books and more than 300 magazine articles. My father, Bruce Bonta, curates Peaceful Societies, the best source for information about nonviolent societies on the web, with new articles appearing every week. My brother Mark is a geographer and the high achiever of the family, but my other brother, Steven, is a linguist and no slouch either.

Publication credits

me with porcupine
a free and frank exchange of views

In addition to the aforementioned books, I have poems in several anthologies, including The Book of Ystwyth: Six poets on the art of Clive Hicks-Jenkins and an anthology of blogger-poets called Brilliant Coroners. I have an essay in New Sun Rising: Stories from Japan. I’ve placed poems, videopoems and translations in Art Times, Autumn Sky Poetry Daily, Awkword Paper Cut, Bamboo, Bird Watcher’s Digest, Broadsided Press,, Frogpond, Gnarled Oak, Haiku Zasshi Zo, Pivot, Poetry for the Masses, Poets for Living Waters, Reimagining Place, Secrets of the Sea (an exhibition and accompanying chapbook), Studies in Contemporary Satire, The Rolling Coulter, [Slippage], The Sun, The Sylvanian, The 22 Magazine, West Branch, Whale Sound, Wind and Z Miscellaneous. A poem from Odes to Tools was reprinted in Verse Daily. My photos and essays have appeared in Cha, Galatea Resurrects, The Mobility ForumNYC Aesthetic, Poetryfilm Magazin, Sawmill and Woodlot, tinywords, the New Hampshire Public Radio website,, the second edition of the college textbook Insect Behavior (two photos), the second edition of The Golden Eagle by Jeff Watson, Vibrant Words: Ideas and Inspirations for Poets by Erica Goss, and various other places I’ve lost track of. My videopoems have been screened at the International Video Poetry Festival in Athens, the Ashland Literary Arts Festival in Oregon, Festival Internacional de Videopoesía – VideoBardo in Buenos Aires, and several places in the U.K.: Leicester’s Cube Gallery, the Newlyn International Film Festival, the Filmpoem Festival in Lewes, and the 2017 MIX Conference at Bath-Spa University. And finally, I’ve supplied texts for videopoems by other people, including the Australian multimedia artist Marie Craven and the Belgian artist and filmmaker Marc Neys.