Three new videopoems

A videopoetry commission in January, which I don’t think I’m free to write about yet, nudged me back into making video remixes for Moving Poems, prompted also by the deaths of two prominent Latin American poets, neither of whose work had ever appeared on the site: Nicanor Parra and Claribel Alegría. I’ve posted each of the following three videos to Moving Poems now, together with process notes, so I’ll link to my posts there for anyone who wants to read more about what went into them.

1. El hombre imaginario (The Imaginary Man) by Nicanor Parra

2. I Am a Mirror (Soy Espejo) by Claribel Alegría

3. El Otro / The Other by Rosario Castellanos

I’m not sure whether I’ll keep going or not, but I do enjoy the challenge of making bilingual videopoems (though “I Am a Mirror,” the most experimental of these, does not include the original text).

Book news, new and belated

I’m not sure why it’s taken me so long, but I’ve finally made dedicated pages for each of my published poetry collections: Ice Mountain, Breakdown: Banjo Poems, and Odes to Tools. (Twelve Simple Songs already had a page.) They’re available in a drop-down menu from the main Books page link, as well as being linked within that page.

Why hadn’t I done this earlier? I guess I wasn’t convinced it was something website visitors would be looking for. Wouldn’t one page for all of them, linking to the book’s pages on the publishers’ websites, be enough? But publishers tend not to update their pages with links to reviews, much less include videos, musical adaptations, and all the other fun stuff that’s happened as a result of licensing my work for remix under the Creative Commons. Plus, it’s useful for me to keep track of everything. I’d completely forgotten, for example, just how enthusiastically my blogger friends (and a few strangers) reviewed Odes to Tools, for example, culminating in Nicelle Davis’s use of the poems to kick off her Living Poetry Project, handing them out to construction workers in her hometown. And I hadn’t remembered just how damn many videos I’d cranked out in support of Breakdown: twelve! And while technically and conceptually they’re not up to the level of the videopoems I make now, I find I still like them pretty well. So they’re all on that book’s page now.

As for Ice Mountain, I’ve simply never gotten around to blogging much of the news about it. For example, back in December, James Brush made a videopoem for “26 January”.

The footage is an artist’s conception of Pluto, an icy world, apparently lifeless, that resonated for me with the sense of loss and environmental themes that undergird much of Ice Mountain.

Go check it out. Earlier, Phil Coleman had reviewed had reviewed the book for the Spring 2017 issue of the Sylvanian [PDF], the magazine of the Pennsylvania chapter of the Sierra Club (which took a while to appear on the web), and Kathleen Kirk wrote a great review for the online journal Escape Into Life. Verse Daily posted an excerpt, “20 March.” The book was given away in a free drawing at the Montreal-based Passage des Perles blog. On Goodreads, fantasy/sci-fi author Jordan R. Murray gave it a glowing review.

One of the best reviews was by blogger Ama Bolton at barleybooks, reprinted on the Bath Writers & Artists Group website.

Dave Bonta has, it seems, an instinct for getting to the heart of things without fuss, for choosing words and creating metaphors that are just right, never showy, and for making a point subtly, without jargon. This collection shows him to be a nature-poet in the great American tradition. Even a brief wander through his places on the Internet will confirm that he’s more than that.

Many (most?) of my Serious Writer friends don’t like the idea of sharing first drafts of their work with all and sundry, and I’ll admit there’s a part of me that yearns to erase or at least seriously spruce up my past, as well. But this is a wonderfully perceptive and sympathetic review of Ice Mountain by a long-time reader of Via Negativa who not only remembered the original drafts, but went back and compared them to get a sense of what I’d changed. So that feels like a bit of vindication for my “let it all hang out” approach. Thank you, Ama Bolton!

So you can see why it was well past time to create a dedicated page for all this. All the videos are there, and I embedded Marc Neys’ Ice Mountain album from Bandcamp, as well.

One final piece of Ice Mountain-related news is that I’m posting snapshots of the poems each morning to Instagram on the same date as they were written, accompanied by hopefully interesting (if occasionally prolix) commentary. I’ve heard from people who’ve already read the book that they’re enjoying this closer, slower look, so I hope to keep doing it straight through till the end in mid-May. Follow along if you like.